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HISTORIES WILL BE REGULARY TREATED ON THIS PAGE
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SYNOPSIS
RESTING BED HISTORY
" Lit à baldaquin"
XVII th century
"Chaise longue" Régency period
"Lit bateau"
Restauration (Charles X) period
This bed was progressively replaced by
the “ lit duchesse
“ or “ lit d’angle” with
smaller curtains, many from the court, cities or
province rejected
it and influenced the
creation of a new type of bed, the “ lit de jour “
that eventually became the “
lit de repos” and then “ chaise longue”.
These pieces were designed to
encourage intellectual as well as sentimental exchanges.
Originally simple and low, the
“lit
de repos usually had eight to ten legs reinforced with cross sections
and
sometime an adjustable back.
They were five of these at the
“Moliere’s residence, forty eight in Versailles.
They were convenient pieces on
which one could nap, a feature that pleased women.
Carved, gilded or painted, some were
simply filled with horse hair and covered with fabric while others had
one or
two mattresses. Their size was 1.60 to 2.10 meters long by 0.60 to 0.90
meters
wide.
At the end of the XVIIth century,
they were equipped with two backs, one on each end and were called
“lits en
canapés”. This transformation improved the
bed’s elegance by bringing some
symmetry and sophistication.
At the very beginning of the XVIIIth
century, the cross sections of the legs disappeared making the piece
a”chaise
longue”. Smaller, the piece was now more appropriated to the
rooms’ size.
Originally an armchair, an additional piece allowed people to strech
their legs
bringing the number of feet from four to eight. Sick people as well as
women
giving birth especially enjoyed it.
For the next hundred and fifty years until the
mid XIXth century, diverse interpretations of these pieces were created
such as
the “sofa”, the “Ottoman” both expressing the Turkish’s
resting way, The “duchesse en bateau”, the
“lit à la torque”,
“turquoise”,
“duchesse brisée”, “ lit
à la grecque “, “veilleuse”,
“meridienne”,
“baigneuse”…
"Duchesse
brisée" Louis XV period
The
”duchesse brisée” has two parts,
an armchair and a kind of stool that can be put together to allow for
leg
streching. Besides the comfort issue, the piece’s flexibility is appropriate
to the smaller
though adaptable rooms.The “méridienne“,
very popular in
the XIX th century had an elegant asymmetry that suggested
rest.Unfortunately, through time, the
“chaise longue “ lost its elegance and became a
huge shape covered with fabric.
During the Louis Philippe period, the wood was not visible anymore and
sophisticated
upholstery covered the whole piece. Later on, the Rattan would allow
interesting interpretations of the piece. Nowadays modern pieces of
this kind
are characterized by their purity.
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Copyright © 2006. Patrick Bence. All rights reserved.